George Whalley
Life
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Battle Pattern
Initial Assault - Sicily
Canadian Spring
A Minor Poet is Visited
Prose
Intro to Poetic Process
The Sinking of the Bismarck
Literary Computing
Scholarship, Research
Romantic-Romanticism
Editing STC's Marginalia
Recordings
Autobiographical
Elizabeth Hay Interview
Intro to F.R. Scott
Poems
Poetry Reading
John Donne
Gerard Manley Hopkins
William Butler Yeats
CBC Radio Broadcasts
Death in the Barren Ground
Articulation of the Image
Henri Bergson
Hope Against Hope
King Arthur - Part 1
King Arthur - Part 2
King Arthur - Part 3
King Arthur - Part 4
King Arthur - Part 5
Single Form
The Hours of John Berryman
The Secret Princes
Wilfred Owen's War Poems
If This Is A Man
Let Us Now Praise
Robert Southwell
Films
Books
Writing in Canada
Review Articles
The Poetic Image
Yeats's Mind
Coleridge as Philosopher
Yeats's Quarrel with Old Age
Coleridge on the 17th C
The Keats Letters
The Ever-Living Word
Keats and the Painters
Wordsworth and Coleridge I
Coleridge in Malta and Italy
Wordsworth and Coleridge II
Reviews 1946-57
Shelley: A Life Story
Interpreting Coleridge
A Reading of George Herbert
Spectator Ab Extra
Davie, Leavis, Read, Crane
A Craftman’s Life
John Keats: Two Books
Explosive Criticism
Mister Christian
The Broken Cisterns
Ellmann and Moore
Image and Idea
The Wordsworth Jungle
Reviews 1958-69
The Poetic Pattern
Poet at Work
Publisher’s History
Cornell Wordsworth
The North
The Business of Criticism
Wiles and Watson
Reason and Imagination
Poetic Voices of Coleridge
The Welder’s Arc
Wordsworth as Critic
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» 1944a
1944a
c1944 – George Whalley in France painting with his brother, Peter Whalley, who took the photo
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George Whalley Pictures
